{"id":260681,"date":"2026-05-18T01:08:52","date_gmt":"2026-05-17T16:08:52","guid":{"rendered":"https:\/\/tenbizt.com\/en\/news\/uncategorized\/2026\/05\/18\/2026-discover-the-revolutionary-conducting-style-of-lee-seung-won-with-national-symphony-orchestra\/"},"modified":"2026-05-18T01:08:52","modified_gmt":"2026-05-17T16:08:52","slug":"2026-discover-the-revolutionary-conducting-style-of-lee-seung-won-with-national-symphony-orchestra","status":"publish","type":"post","link":"https:\/\/tenbizt.com\/en\/news\/music\/2026\/05\/18\/2026-discover-the-revolutionary-conducting-style-of-lee-seung-won-with-national-symphony-orchestra\/","title":{"rendered":"2026: Discover the Revolutionary Conducting Style of Lee Seung-won with National Symphony Orchestra"},"content":{"rendered":"<p>Translation result<img decoding=\"async\" src=\"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/image\/2026\/05\/CP-2023-0083\/image-d7f124ba-c590-48bf-8229-7e39b4f63cd3.jpeg\" alt=\"\uc9c0\ud718\uc790\" \uc774\uc2b9\uc6d0\uc774 1\ub144 7\uac1c\uc6d4 \ub9cc\uc5d0 \ud55c\uad6d \uad00\uac1d\uacfc \ub9cc\ub09c\ub2e4. \uad6d\ub9bd\uc2ec\ud3ec\ub2c8\uc624\ucf00\uc2a4\ud2b8\ub77c\uc640\uc758 \uccab \uad6d\ub0b4 \ubb34\ub300\ub97c \uc2dc\uc791\uc73c\ub85c \uc624\ub294 22~23\uc77c\uc5d0\ub294 \uc138\uc885\ubb38\ud654\ud68c\uad00\uc758 \ub204\uad6c\ub098 \uc138\uc885\uc378\uba38\ud398\uc2a4\ud2f0\ubc8c \uad11\ud654\ubb38\uc5d0\uc11c \ub9cc\ub098\ub294 \uc544\ub9ac\uc544 \ubb34\ub300, 8\uc6d4\uc5d4 \uc608\uc220\uc758\uc804\ub2f9 \uad6d\uc81c\uc74c\uc545\uc81c\uc5d0\uc11c sac \ud398\uc2a4\ud2f0\ubc8c \uc624\ucf00\uc2a4\ud2b8\ub77c\ub97c \uc9c0\ud718\ud55c\ub2e4. [\ubaa9\ud504\ub85c\ub355\uc158 \uc81c\uacf5] class=\"img_LSize\"> [Herald Economy = Reporter Ko Seung-hee] Colorful pencil strokes swept across the densely notated score like a conductor\u2019s baton. A red line climbed with the melody\u2019s sweep; a blue mark denoted the exact spot where the brass must explode. Minute, hushed sonic details were bound together in orange.<\/p>\n<p>\u201cHere the brass has to open up suddenly. It shouldn\u2019t just be loud \u2014 it must feel like the energy we\u2019ve been restraining finally breaks free.\u201d<\/p>\n<p>The score read like an anatomy lesson: notes for brass balance, accents, the direction of energy, and rhythmic cue signs. He had mapped the sound with surgical precision\u2014down to tenths of a decibel. The piece on the page was Bernstein\u2019s Symphonic Dances from West Side Story.<\/p>\n<p>Every page turn revealed more evidence of his labor. Between the notes were layers of calculation, imagination, and revision \u2014 the fingerprints of a conductor who rehearses in his head long before meeting the players.<\/p>\n<p>People often attach the label \u201cgenius\u201d to a conductor with an IQ of 162, but the better word for him is \u201cdiligent.\u201d The worn score bore witness to countless solitary hours of study. Preparing for his first concert in Korea in 1 year and 7 months, Lee Seung-won said, \u201cI\u2019ve been poring over this score for more than a month.\u201d<\/p>\n<p>Since winning the Mahler-Kleiber Conducting Competition at the end of 2024, he has been hailed as a rising star in the classical world. For his debut with the National Symphony Orchestra he chose an unconventional program: Charles Ives\u2019s The Unanswered Question, Samuel Barber\u2019s Cello Concerto, Bernstein\u2019s Symphonic Dances from West Side Story, and Gershwin\u2019s An American in Paris. Neither the program\u2019s combination nor his conducting of these works is something he has done before.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/image\/2026\/05\/CP-2023-0083\/image-2091092d-d25d-4d65-9d66-2f55a35aa542.jpeg\" alt=\"\uc9c0\ud718\uc790\" \uc774\uc2b9\uc6d0\uc758 \ubc88\uc2a4\ud0c0\uc778 \uc2ec\ud3ec\ub2c9 \ub304\uc2a4 \uc545\ubcf4 \uace0\uc2b9\ud76c \uae30\uc790 class=\"img_LSize\"><\/p>\n<div>\n He enjoys danger: an adventurer\n<\/div>\n<p>\u201cIt\u2019s a big gamble,\u201d he acknowledged.<\/p>\n<p>Classical programming often follows a \u201c2B rule\u201d: include at least one heavyweight composer like Beethoven or Brahms to guarantee ticket sales. Orchestras default to familiar repertoire because it\u2019s the safe bet. This time, though, the National Symphony wanted music that fit Lee Seung-won\u2019s sensibility now, and he answered with the boldness he sharpened at the Cincinnati Symphony.<\/p>\n<p>\u201cYou should take more risks while you\u2019re young,\u201d he said. \u201cAll 35 programs I conducted this season (2025\u201326) were pieces I\u2019d never led before.\u201d<\/p>\n<p>Risk has been a through line in Lee\u2019s life. At each fork, he chose the adventurous path. He left his position as a violist in the Novus Quartet and pivoted to conducting. He gave up a tenured professorship in viola at the Leipzig University of Music. Those were decisions without guarantees. At the first round of the Mahler-Kleiber competition he even performed Haydn symphonies in a Baroque style with harpsichord accompaniment \u2014 a daring choice.<\/p>\n<p>\u201cMy life has been one adventure after another. Even failures become part of the artistic foundation,\u201d he said with a laugh. \u201cCompared with that, selecting repertoire doesn\u2019t feel so risky.\u201d<\/p>\n<p>The program he chose with the National Symphony reflects that mindset. \u201cThese pieces aren\u2019t ones that specialists necessarily perform often in a lifetime,\u201d he said. \u201cIf you\u2019re a young conductor, you have to ask: if not now, when?\u201d<\/p>\n<p>He doesn\u2019t play favorites when negotiating programs with overseas orchestras. \u201cWhen an orchestra\u2019s management says, \u2018We really want this,\u2019 you shouldn\u2019t hesitate,\u201d he said. \u201cThis is the time to prove you can do anything.\u201d<\/p>\n<p>His approach isn\u2019t merely about expanding his repertoire. It\u2019s tied to a broader musical philosophy and even echoes advice from his wife, a composer.<\/p>\n<p>\u201cEvery composer writes for a reason. A conductor\u2019s duty is to draw out that music\u2019s appeal and introduce it to the audience. If I cross a piece off because I don\u2019t like it, the public loses the chance to hear it.\u201d<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/image\/2026\/05\/CP-2023-0083\/image-cf01d75d-e51c-4dcc-9750-59554f79bd01.jpeg\" alt=\"\uc9c0\ud718\uc790\" \uc774\uc2b9\uc6d0\uc774 1\ub144 7\uac1c\uc6d4 \ub9cc\uc5d0 \ud55c\uad6d \uad00\uac1d\uacfc \ub9cc\ub09c\ub2e4. [\ubaa9 \ud504\ub85c\ub355\uc158 \uc81c\uacf5] class=\"img_LSize\"><\/p>\n<div>\n Black suits, red jackets \u2014 transplanting the \u201cAmerican sound\u201d\n<\/div>\n<p>After taking the competition title, Lee began traveling the globe. He\u2019s worked with ensembles across Europe, the U.S., and Japan. His time with the Cincinnati Symphony in particular taught him the distinct sensibility of American orchestras.<\/p>\n<p>\u201cEuropean orchestras prize resonance and space \u2014 they grew up playing in churches and halls where classical traditions developed over centuries. America is different: the sound is denser and more agile.\u201d<\/p>\n<p>That distinctive American sound developed from a cultural mix. Pop culture\u2019s influence combined with classical technique to create a hybrid musical language. \u201cAmerican orchestras take pops programs seriously,\u201d he observed. \u201cThe same players wear black for the classical concert and red jackets for pops, and they produce wholly different sounds.\u201d<\/p>\n<p>His goal for this concert is straightforward: \u201cBring the American orchestra sound to a Korean stage.\u201d He explained, \u201cIt\u2019s about brass and percussion pushing forward, and jazz and pop sensibilities blending naturally into the classical fabric \u2014 that\u2019s the authentic American sound.\u201d<\/p>\n<p>The National Symphony is well suited to that aim. Although this is their first regular concert in Korea, they\u2019ve already toured together internationally. The orchestra reports that its musicians are very fond of Lee.<\/p>\n<p>\u201cThe National Symphony is remarkably flexible,\u201d he said. \u201cThey do ballet, opera, and many genres. That experience gives them an exceptional ability to shape their sound to a conductor\u2019s demands.\u201d<\/p>\n<p>One highlight will be Ives\u2019s The Unanswered Question. \u201cYou really have to hear this live to grasp its meaning,\u201d Lee said.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/image\/2026\/05\/CP-2023-0083\/image-ecc29c68-eb08-4edf-8efd-9a43a71d789d.jpeg\" alt=\"\uc9c0\ud718\uc790\" \uc774\uc2b9\uc6d0\uc740 \ubaa8\ud5d8\uc744 \uc990\uae30\ub294 \ub3c4\uc804\uc758 \uc544\uc774\ucf58\uc774\ub2e4. \ub178\ubd80\uc2a4\ucf70\ub974\ud15f\uc758 \ube44\uc62c\ub9ac\uc2a4\ud2b8\uc5d0\uc11c \uc9c0\ud718\ub85c \uc804\ud5a5, \ub3c5\uc77c \ub77c\uc774\ud504\uce58\ud788 \uad6d\ub9bd\uc74c\ub300 \ube44\uc62c\ub77c \uc885\uc2e0 \uad50\uc218\ub77c\ub294 \ubcf4\uc7a5\ub41c \ubbf8\ub798\ub3c4 \ub0b4\ub824\ub1a8\ub2e4. [\ubaa9\ud504\ub85c\ub355\uc158 \uc81c\uacf5] class=\"img_LSize\"> The trumpet\u2019s placement is striking: the instrument that poses the question doesn\u2019t sit on stage. Instead it emerges from somewhere in the hall \u2014 the audience, a balcony \u2014 catching listeners off guard. Strings occupy the center with sustained lines; four woodwinds at the edge of the stage offer increasingly sharp, nervous responses. \u201cIt\u2019s almost like a non sequitur,\u201d he said.<\/p>\n<p>He pointed to numbered annotations in his score. The question appears seven times. The woodwinds\u2019 replies accelerate from andante to molto allegro. \u201cBy the end it almost sounds angry,\u201d he said.<\/p>\n<p>Though the piece seems to rely on precise timing between trumpet and woodwinds, Lee opts for mystery. \u201cI might deliberately withhold a clear cue for the trumpet,\u201d he said. He argues that too much specificity can destroy the work\u2019s sense of wonder. \u201cI want the question to seep in from somewhere,\u201d he said. He\u2019s aiming less for mechanical accuracy than for a psychological distance that reverberates through the hall. \u201cThe woodwinds should move like chamber players,\u201d he added.<\/p>\n<p>Bernstein\u2019s Symphonic Dances and Gershwin\u2019s An American in Paris are more familiar fare. \u201cBernstein\u2019s writing is a percussion-driven thrill \u2014 it creates an ecstatic atmosphere. Gershwin blends jazz and classical to form something almost like a new genre,\u201d he said. \u201cBoth pieces are accessible for listeners who are new to classical music.\u201d<\/p>\n<div>\n Germany, America, Northern Europe \u2014 a conductor\u2019s changing ear\n<\/div>\n<p>From his studies in Germany to his current work, Lee has spent 13 years in the world of conducting. His relentless study of scores has given his music an uncommon persuasive depth. Working with top orchestras around the world built the technical and interpretive stamina he relies on today.<\/p>\n<p>Touring taught him that each orchestra has its own \u201csound grammar.\u201d<\/p>\n<p>American orchestras represent efficiency and agility. Because funding and rehearsal time are tightly linked, players exhibit extraordinary preparation and responsiveness. He has a special affection for Nordic ensembles. \u201cNordic players project a purity of sensibility into their sound,\u201d he said. \u201cWhen people and sound align, it\u2019s one of a conductor\u2019s happiest moments.\u201d<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/image\/2026\/05\/CP-2023-0083\/image-33a44fda-cc79-4338-a98a-a21ffa6051aa.jpeg\" alt=\"\uc9c0\ud718\uc790\" \uc774\uc2b9\uc6d0\uc774 1\ub144 7\uac1c\uc6d4 \ub9cc\uc5d0 \ud55c\uad6d \uad00\uac1d\uacfc \ub9cc\ub09c\ub2e4. [\ubaa9\ud504\ub85c\ub355\uc158 \uc81c\uacf5] class=\"img_LSize\"> German orchestras, rooted in long tradition, function as arenas of rigorous interaction. Players freely challenge a conductor\u2019s interpretation and insist on logical clarity. That environment forces a conductor to be not just expressive but intellectually armed.<\/p>\n<p>\u201cFor that reason, you need to analyze a piece so thoroughly that you can answer any question in a second,\u201d he said. He conducts from memory, but he treats memorization as a byproduct: only after long periods of analysis, disassembly, and recombination does the score become internalized.<\/p>\n<p>He spends about 25 weeks a year away from home. This season he worked with 23 orchestras. On tour he typically carries 20\u201330 scores; this month, with an opera gala (22\u201323 at Sejong Center\u2019s \u201cArias in Gwanghwamun\u201d), his stack grew to about 50.<\/p>\n<p>\u201cA conductor opens a score any spare moment he gets \u2014 on planes, in hotels, in the green room,\u201d he laughed. Audiences judge a conductor by the one or two hours onstage, but Lee purchases that time with hundreds of hours of study.<\/p>\n<p>Having absorbed different sound mechanisms across cultures, he said he is learning to balance adaptability with maintaining his own artistic voice.<\/p>\n<p>To him, a good conductor is first and foremost a good listener. \u201cConducting requires proposing the sound ahead of time while also reacting instantaneously to what has just occurred,\u201d he said. \u201cListening to what the players produce is as demanding as shaping the sound.\u201d<\/p>\n<p>\u201cUltimately, good music comes from good people. Unlike other musicians, a conductor produces sound without an instrument, so his demeanor, character, and humanity all color the music. That\u2019s why you need broad life experience. I try every day not just to be kind, but to be a better person in relationships.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A conductor&#8217;s meticulous score transforms music into a vibrant tapestry, balancing sound and energy with precision and imagination.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_thumbnail_url":"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/thumbnail\/2026\/05\/CP-2023-0083\/thumb-7cf75cbf-862e-4e21-883e-318d27ab9368.jpg","footnotes":""},"categories":[278101],"tags":[],"class_list":["post-260681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2026: Discover the Revolutionary Conducting Style of Lee Seung-won with National Symphony 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