{"id":260266,"date":"2026-05-13T00:13:34","date_gmt":"2026-05-12T15:13:34","guid":{"rendered":"https:\/\/tenbizt.com\/en\/news\/uncategorized\/2026\/05\/13\/2026-%ec%84%9c%ec%9a%b8%ec%8a%a4%ed%94%84%eb%a7%81%ec%8b%a4%eb%82%b4%ec%95%85%ec%b6%95%ec%a0%9c-%eb%aa%a8%ec%b0%a8%eb%a5%b4%ed%8a%b8%ec%9d%98-%ed%98%84%ec%95%85-5%ec%a4%91%ec%a3%bc-%ec%a0%84%ea%b3%a1\/"},"modified":"2026-05-13T00:13:35","modified_gmt":"2026-05-12T15:13:35","slug":"2026-%ec%84%9c%ec%9a%b8%ec%8a%a4%ed%94%84%eb%a7%81%ec%8b%a4%eb%82%b4%ec%95%85%ec%b6%95%ec%a0%9c-%eb%aa%a8%ec%b0%a8%eb%a5%b4%ed%8a%b8%ec%9d%98-%ed%98%84%ec%95%85-5%ec%a4%91%ec%a3%bc-%ec%a0%84%ea%b3%a1","status":"publish","type":"post","link":"https:\/\/tenbizt.com\/en\/news\/music\/2026\/05\/13\/2026-%ec%84%9c%ec%9a%b8%ec%8a%a4%ed%94%84%eb%a7%81%ec%8b%a4%eb%82%b4%ec%95%85%ec%b6%95%ec%a0%9c-%eb%aa%a8%ec%b0%a8%eb%a5%b4%ed%8a%b8%ec%9d%98-%ed%98%84%ec%95%85-5%ec%a4%91%ec%a3%bc-%ec%a0%84%ea%b3%a1\/","title":{"rendered":"2026 \uc11c\uc6b8\uc2a4\ud504\ub9c1\uc2e4\ub0b4\uc545\ucd95\uc81c: \ubaa8\ucc28\ub974\ud2b8\uc758 \ud604\uc545 5\uc911\uc8fc \uc804\uace1\uc744 \ub9cc\ub098\ub294 \ud2b9\ubcc4\ud55c \uae30\ud68c!"},"content":{"rendered":"

Translation result.<\/p>\n

\u201c2026 Seoul Spring Chamber Music Festival Preserved the Dignity of Chamber Music Performance\u201d<\/p>\n

Mozart\u2019s complete string quintets revealed his most intimate inner life
Saint-Sa\u00ebns\u2019 dazzling virtuosity and Franck\u2019s deeply felt chamber-music world<\/p>\n

\n
\"\\"The\"
\n The opening concert of the 21st Seoul Spring Chamber Music Festival, notable for its abundance of quintets. (Photo: oboist Olivier Douaz\u2019s Facebook)
\n <\/figcaption><\/figure>\n<\/div>\n

In late April and early May, South Korea\u2019s classical-music calendar was electric: the 38th Symphony Festival at the Seoul Arts Center, the Munich Philharmonic\u2019s Korea visit led by Lahav Shani, and a high-profile collaboration with pianist Seong-Jin Cho all drew intense attention. Amid those large-scale events, the 2026 Seoul Spring Chamber Music Festival quietly upheld the refinement at the heart of chamber music.<\/p>\n

I attended the opening concert on April 21 and the follow-up performance on April 22. The back-to-back programs offered a reminder of artistic director Kang Dong-seok\u2019s long commitment to promoting chamber music and provided a clear view of the festival\u2019s international roster. Even in a season dominated by orchestral spectacles, the festival\u2019s steady advocacy for the chamber repertoire remains welcome.<\/p>\n

The annual Symphony Festival at the Seoul Arts Center tends to concentrate mainstream attention in April, leaving chamber venues with a loyal but smaller audience of devoted listeners. This year\u2019s opening night was not a complete sell-out, but the quieter house fostered a concentrated listening experience that allowed the music itself to take center stage.<\/p>\n

\n
\"\\"This\"
\n This year\u2019s closing concert at the Seoul Spring Chamber Music Festival featured Faur\u00e9\u2019s Piano Quartet No. 2. (Photo: Seoul Spring Chamber Music Festival Secretariat)
\n <\/figcaption><\/figure>\n<\/div>\n

The most notable thread in this year\u2019s programming was the sheer number of quintets. The opening night paired Mozart\u2019s String Quintet No. 5 with Franck\u2019s Piano Quintet; the following day featured Mozart\u2019s String Quintet No. 1 and Dohn\u00e1nyi\u2019s Piano Quintet No. 1. The festival\u2019s decision to present Mozart\u2019s complete set of string quintets was particularly meaningful, offering audiences a rare, cohesive survey of these works.<\/p>\n

In an interview with Gaekseok magazine, artistic director Kang Dong-seok noted, \u201cMozart was the composer who truly developed the string-quintet form with two violas. It\u2019s not common to hear the complete cycle at a single festival.\u201d Indeed, Mozart\u2019s six string quintets are more than an expanded ensemble; they stand as some of his most inward-looking and profound chamber compositions.<\/p>\n

\n
\"\\"Opening-night\"
\n Opening-night scene: Saint-Sa\u00ebns\u2019 Op. 79 for flute, oboe, clarinet and piano.
\n <\/figcaption><\/figure>\n<\/div>\n

On April 25 the festival\u2019s arc was completed with Mozart\u2019s String Quintet No. 6, Mozart\u2019s piano-and-winds quintet, and Brahms\u2019 Piano Quintet \u2014 a richer quintet offering than in many previous seasons.<\/p>\n

Mozart\u2019s String Quintet No. 5, performed at the opening, dates from 1790 and shows contrapuntal techniques he absorbed from studying Bach. The work combines intellectual rigor with expressive depth. From the first night, the ensemble\u2019s dense and attentive playing underscored the festival\u2019s status as Korea\u2019s premier spring chamber-music event.<\/p>\n

The next day\u2019s performance of Mozart\u2019s String Quintet No. 1\u2014an early work composed when Mozart was 17\u2014radiated the bright, lively character of the divertimento style then in vogue. The two-viola scoring enriched the inner textures and lent an operatic sweep to the melodies. Violinist Han Su-jin anchored the ensemble and animated the piece with vivid energy.<\/p>\n

The opening program traced a lineage from Mozart\u2019s Classical legacy through French chamber music represented by Saint-Sa\u00ebns and Franck. In Franck\u2019s Piano Quintet, Kang Dong-seok and pianist Moon Ji-young created a strikingly taut, cohesive reading that left a strong impression.<\/p>\n

\n
\"\\"\\"\"
\n <\/figcaption><\/figure>\n<\/div>\n

The April 22 program, organized under the theme \u201cNo. 1,\u201d highlighted the starting points of great composers. It moved from Mozart\u2019s early piano works and his first string quintet to the first published pieces of Beethoven and Schubert, and closed with Dohn\u00e1nyi\u2019s first piano quintet. The sequence offered a glimpse into the moment when genius first declares itself, rendered in the most intimate of classical forms.<\/p>\n

The festival\u2019s distinctive customs are still in evidence. The ritual of having performers give short onstage introductions before each piece helps listeners connect with the music. International artists \u2014 such as Taiwan-born violist Shin-Yen Huang and violinist Chlo\u00e9 Kiefer \u2014 delivered their remarks in English, reinforcing the festival\u2019s cosmopolitan vibe. And because the festival spans 13 days, organizers prioritize the integrity of each program over encores, a practice that has become part of the event\u2019s identity.<\/p>\n

\n
\"\\"Flutist\"
\n Flutist Mathieu Dufour (left) and Taiwan-born violist Shin-Yen Huang (right) performing Debussy\u2019s Sonata for flute, viola and harp, L.137, on the opening night of the 21st Seoul Spring Chamber Music Festival.
\n <\/figcaption><\/figure>\n<\/div>\n

Watching this year\u2019s festival naturally recalled the 18th Seoul Spring Chamber Music Festival in 2023. Then, under the theme \u201cThe More, The Merrier!,\u201d the program expanded chamber forces to include sextets, septets and octets. The 2023 closing concert, featuring string octets by Raff, Hoffmann and Mendelssohn, delivered a scale and density that felt nearly symphonic.<\/p>\n

Mendelssohn\u2019s String Octet, in particular, exemplified the composer\u2019s intention that the work be played \u201cas a symphony.\u201d Against that memory, this year\u2019s \u201crediscovery of the quintet\u201d affirmed the festival\u2019s identity and depth from a different angle.<\/p>\n

In an arts scene dominated by large orchestras, the Seoul Spring Chamber Music Festival has consistently preserved chamber music\u2019s essence and subtlety. This year once again demonstrated the festival\u2019s raison d\u2019\u00eatre.<\/p>\n

By: music columnist Yeo Hong-il<\/p>\n

Edited by: Joo Jin-no<\/p>\n","protected":false},"excerpt":{"rendered":"

The 2026 Seoul Spring Chamber Music Festival upholds the elegance of chamber music amidst major classical events in Korea.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_thumbnail_url":"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/thumbnail\/2026\/05\/CP-2023-0189\/thumb-2f852133-207e-4921-b3eb-eb2f74ef9686.jpg","footnotes":""},"categories":[278101],"tags":[],"class_list":["post-260266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"yoast_head":"\n2026 \uc11c\uc6b8\uc2a4\ud504\ub9c1\uc2e4\ub0b4\uc545\ucd95\uc81c: \ubaa8\ucc28\ub974\ud2b8\uc758 \ud604\uc545 5\uc911\uc8fc \uc804\uace1\uc744 \ub9cc\ub098\ub294 \ud2b9\ubcc4\ud55c \uae30\ud68c!<\/title>\n<meta name=\"description\" content=\"The 2026 Seoul Spring Chamber Music Festival upholds the elegance of chamber music amidst major classical events in Korea.\" 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