{"id":258284,"date":"2026-04-24T00:11:34","date_gmt":"2026-04-23T15:11:34","guid":{"rendered":"https:\/\/tenbizt.com\/en\/news\/uncategorized\/2026\/04\/24\/2026-seoul-ballet-extravaganza-what-to-expect-from-bejart-ballet-and-chung-hyung-ils-mondrian\/"},"modified":"2026-04-24T00:11:34","modified_gmt":"2026-04-23T15:11:34","slug":"2026-seoul-ballet-extravaganza-what-to-expect-from-bejart-ballet-and-chung-hyung-ils-mondrian","status":"publish","type":"post","link":"https:\/\/tenbizt.com\/en\/news\/entertainment\/2026\/04\/24\/2026-seoul-ballet-extravaganza-what-to-expect-from-bejart-ballet-and-chung-hyung-ils-mondrian\/","title":{"rendered":"2026 Seoul Ballet Extravaganza: What to Expect from Be\u0301jart Ballet and Chung Hyung-il’s Mondrian"},"content":{"rendered":"

Translation result<\/p>\n

\n
\n A two-tone celebration of contemporary ballet: “Bejart Ballet Lausanne with Kim Ki-min” (left) and Chung Hyung-il Ballet Creative’s “Mondrian” (Photo courtesy of InArts Production,  Chung Hyung-il Ballet Creative)
\n <\/figcaption><\/figure>\n

In a year unusually rich in ballet offerings, two productions open in the final week of April 2026. <\/span><\/p>\n

Bejart Ballet Lausanne (B\u00e9jart Ballet Lausanne, hereafter BBL) returns to Seoul after 25 years with “Bejart Ballet Lausanne with Kim Ki-min” (April 23\u201326 at the GS Art Center), while Chung Hyung-il Ballet Creative presents “Mondrian” (April 23\u201324 at the LG Arts Center Signature Hall).<\/span><\/p>\n

BBL\u2019s Korea performances feature world-renowned Korean dancer Kim Ki-min. Chung Hyung-il\u2019s “Mondrian” includes rising talent Yeom Da-yeon, who won second place (Prize Winner) and the Audience Favorite award at this year\u2019s 54th Prix de Lausanne. Together, the programs offer a clear view of South Korea\u2019s ballet today\u2014rooted in classical technique and reaching into contemporary experiment. <\/span><\/p>\n

\n
\n Global ballet star Kim Ki-min appears in “Bejart Ballet Lausanne with Kim Ki-min” (left). Rising talent Yeom Da-yeon, recognized at this year\u2019s Prix de Lausanne, appears in Chung Hyung-il Ballet Creative\u2019s “Mondrian” (Photo courtesy of InArts Production,  Chung Hyung-il Ballet Creative)
\n <\/figcaption><\/figure>\n

“Bejart Ballet Lausanne with Kim Ki-min” marks BBL\u2019s first return to Korea after 15 years since a 2011 engagement in Daejeon and its first Seoul appearance in 25 years. The company was founded by choreographer Maurice B\u00e9jart (d. 2007). <\/span><\/p>\n

For this tour, BBL assembled a program of signature works: Bol\u00e9ro and The Firebird, the Asian premiere of Hamlet, Bye Bye Baby Blackbird, and the Korean premiere of La Luna.<\/span><\/p>\n

The tour is presented in two programs framed around The Firebird\u2014a Stravinsky score that symbolizes revolution and rebirth and is here rendered in an abstract dance vocabulary\u2014and Bol\u00e9ro, built on Ravel\u2019s relentlessly propulsive score.<\/span><\/p>\n

\n \"Second\"
\n The Firebird, to be presented in “Bejart Ballet Lausanne with Kim Ki-min” \u00a9Admill Kuyler_zurich_soir\u00e9e (Photo courtesy of InArts Production)
\n <\/figcaption><\/figure>\n

Program A (April 23, 25) pairs The Firebird with Bol\u00e9ro and adds Hamlet, which choreographer Valentina Turku reimagines with a contemporary sensibility that reframes Shakespeare\u2019s tragic narrative. <\/span><\/p>\n

Program B (April 25, 26) features Bye Bye Baby Blackbird, in which choreographer Joost Brauwenraets teases a poetic resonance from Johnny Cash\u2019s music, and La Luna, a solo B\u00e9jart created for Italian dancer Luciana Savignano.<\/span><\/p>\n

Kim Ki-min, a principal with the Mariinsky Ballet, appears in Program A as La M\u00e9lodie in Bol\u00e9ro. The piece magnifies a simple, hypnotic melody into physical form: the lead dancer\u2014literally elevated on a table\u2014embodies the melody while the surrounding male corps shapes the driving rhythm, together releasing an almost volcanic energy.<\/span><\/p>\n

\n
\n Ballerino Kim Ki-min rehearses Bol\u00e9ro at an open rehearsal for “Bejart Ballet Lausanne with Kim Ki-min” at Seoul\u2019s GS Art Center on April 22 (Photo courtesy of InArts Production)
\n <\/figcaption><\/figure>\n

As BBL artistic director Julien Favreau puts it, the work compresses emotion into repetitive yet continuously evolving movement, transforming the stage into a single, dynamic flow. He adds that its rhythmic power and emotional intensity create a kind of universal magic that reaches across ages and cultures.<\/span><\/p>\n

Chung Hyung-il Ballet Creative\u2019s “Mondrian,” led by choreographer Chung Hyung-il\u2014who has expanded the scope of Korean contemporary ballet\u2014stages the work of Dutch De Stijl master Piet Mondrian.<\/span><\/p>\n

\n
\n A scene from Chung Hyung-il Ballet Creative’s “Mondrian,” performed at the National Asia Culture Center in 2025 (Photo courtesy of the National Asia Culture Center Foundation)
\n <\/figcaption><\/figure>\n

The piece translates Mondrian\u2019s neo-plasticist abstraction\u2014rectangles of primary color and strict vertical and horizontal lines\u2014into contemporary ballet.<\/span><\/p>\n

Set to music by Sergei Rachmaninoff, the production uses dance and media art to explore Mondrian\u2019s inner fixation on grids and primary colors. <\/span><\/p>\n

\u201cBallet is an art forged through repetitive training and an obsessive pursuit of perfection,\u201d Chung says. \u201cDancers rehearse the same steps hundreds or thousands of times until the movements are engraved in their bodies, yet onstage they must always renew those steps with vitality and spontaneity. That paradox felt very close to Mondrian\u2019s relentless exactitude.\u201d<\/span><\/p>\n

\n
\n A scene from Chung Hyung-il Ballet Creative’s “Mondrian,” performed at the National Asia Culture Center in 2025 (Photo courtesy of the National Asia Culture Center Foundation)
\n <\/figcaption><\/figure>\n

\u201cI treated Mondrian\u2019s intersecting vertical and horizontal lines\u2014the grid\u2014as a psychological frame,\u201d he continues. \u201cWithin that order, dancers compulsively assert their presence. The dancers\u2019 bodies become the axes of that order, and the stage becomes a moving Mondrian canvas that shares themes of obsessive beauty and devotion with the audience.\u201d<\/span><\/p>\n

The production converts the canvas\u2019s geometric lines, planes and colors into living energy through the dancers\u2019 lines and movement. It features Yeom Da-yeon, who earned recognition at the Lausanne competition this year and has since joined Boston Ballet as a full-time company dancer.<\/span><\/p>\n

Reporter Heo Mi-seon hurlkie@viva2080.com<\/p>\n","protected":false},"excerpt":{"rendered":"

In the last week of April 2026, two ballet performances will take place, showcasing a rich variety of ballet events.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_thumbnail_url":"https:\/\/cdn-union.tenbizt.com\/contents\/crawler-dev\/thumbnail\/2026\/04\/CP-2024-0113\/thumb-527a0c75-2126-4af4-9244-c3dc6af49465.jpg","footnotes":""},"categories":[278102],"tags":[],"class_list":["post-258284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"yoast_head":"\n2026 Seoul Ballet Extravaganza: What to Expect from Be\u0301jart Ballet and Chung Hyung-il's Mondrian<\/title>\n<meta name=\"description\" content=\"In the last week of April 2026, two ballet performances will take place, showcasing a rich variety of ballet events.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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